Up to and including week 3 of Autumn 2026 we have learnt:
'Don't You Want Me' by The Human League - whole song
'Silence' by AMH - whole song
'Dreams/Ode To My Family' by The Cranberries - verse 1, verse 2, OTMF intro, OTMF verse, OTMF pre-chorus, transition, verse 3, outro
'Driving Home for Christmas' by Chris Rea - verse 1, chorus 1
We will be bringing back these songs from the last term (Summer 2026):
'good 4 u' by Olivia Rodrigo
'Otherside/By the Way' by Red Hot Chili Peppers
'Fix You' By Coldplay
There will be the following part rehearsals for each song during the break:
Week 3 - good 4 u (Soprano and Tenor)
Week 4 - good 4 u (Alto and Bass)
Week 5 - Otherside (Soprano and Tenor)
Week 6 - Otherside (Alto and Bass)
Week 7 - Fix You (Soprano and Tenor)
Week 8 - Fix You (Alto and Bass)
Song arrangements by Oli Poole
'Dreams/Ode To My Family' by The Cranberries
'Don't You Want Me' by The Human League
'Silence' by AMH
'Don't Speak' by No Doubt
'good 4 u' by Olivia Rodrigo
'Otherside/By the Way' by Red Hot Chili Peppers
'I'll Be There For You' by The Rembrandts
'Fix You' By Coldplay
'I Knew You Were Trouble' by Taylor Swift
'The Power of Love' by Huey Lewis & The News
'Take on the World' by You Me At Six
'Dreaming of You' by The Coral
'Shallow' by Lady Gaga
'Time is Running Out' by Muse
'Holding Out for a Hero' by Bonnie Tyler
'Wonderful Christmastime' by Paul McCartney and Wings
'It's the Most Wonderful Time of the Year' by Andy Williams
'Walk of Life' by Dire Straits
'Blowin' in the Wind' by Bob Dylan
'Tear Up This Town' by Keane
'Good Riddance' by Green Day
'Pompeii/Flaws' by Bastille
'Like A Prayer' by Madonna
'Shotgun/Budapest' by George Ezra
'Livin' on a Prayer' by Bon Jovi
'Hold Your Head Up High' by The Darlingside
'SOS' by ABBA
'Run' by Snow Patrol
'Sweet Child o’ Mine' by Guns N' Roses
'Christmas Time' by The Darkness
'Merry Christmas Everyone' by Shakin' Stevens
Song arrangements by Elaine Wilson
'Everywhere' by Fleetwood Mac
'Call Me' by Blondie
Song arrangements by Dan Pate
'Driving Home for Christmas' by Chris Rea